The Fall Live - 1986

01/02/1986

Bangor University

There is no known recording of this gig

06/02/1986

Woolwich

08/02/1986

Royal Court

Couple of versions of this doing the rounds :

Version 1 - Good quality audience recording. Vocal and bass dominate initially but then settles down very well. Some minimal audience chatter. Misses the opening weirdness of the intro tape.

Version 2 - Excellent audience tape - very clear throughout - (taped from the balcony by The Big Bopper)

This was a benefit gig for striking Liverpool Council workers which also featured New Order and the "other" Smiths on the bill.

This is a remarkably well recorded gig and the band are on fine form. The contemporary material is graced with a couple of older tunes. The third gig of a short UK tour before a trip to the States. This was a fine line-up of the band the core of Hanley/Scanlon/Burns added to by tones and textures of Rogers keyboards and Brix's melodic guitar lines.

On the first version I have the opening from the "Mansion" riif, I assume on tape, is unfortunately cut short this is followed by good versions of a trio from "This Nations Savings Grace". The alternate recording reveals the opening tape. The back catalogue is effectively mined with an exceptionally brash reading of "Rowche Rumble" featuring some effective yelping from Mr Smith. This is followed by an amazingly speedy version of "Lay of the Land". Refreshing also to hear a guitar led take on "Hey Luciani" which is more rocky than later versions with Brix playing a key role in delivering a middle 8 guitar riff piece,

Very fast version of "Couldn't get ahead" is followed by a lengthy "Hot Aftershave Bop" again both more intense than later version - interesting combination of three guitars giving the band a more orchestral sound. Back four years then to Wigan and a band that had seconds before was in danger of slipping into rawk mores gets back to the core of its being with a tour-de-force charge through "Lie Dream" - suitably charged and challenging apart from the aweful synth patch Rogers chooses for the break in the middle which is a little weedy.

It finishes with a very good version of "Cruisers".

All in all a good gig - useful to have as a clear recording of this line-up.

 Liverpool

Mark E. Smith - Vocals
Brix Smith - Guitar, Vocals
Craig Scanlon - Guitar
Steve Hanley - Bass
Simon Rogers - Keyboards, Guitar
Karl Burns - Drums

Weird Atonal Intro Tape (2:06)
Mansion Riff > My New House (5:23)
Bombast (3:13)
L.A. (4:49)
Rowche Rumble (4:47)
Lay of the Land (5:49)
Hey! Luciani (3:44)
Couldn't Get Ahead (2:33)
Hot Aftershave Bop (4:21)
Lie Dream of a Casino Soul (4:29)
Cruiser's Creek (5:44)

Total gig length = 45:36 Version 1
Total gig length = 49:37 Version 2

10/02/1986

Haringay

11/02/1986

Mean Fiddler, Harlesden

In the repository - not yet reviewed

13/02/1986

Cambridge

16/02/1986

Croydon

In the repository - not yet reviewed

27/02/1986

Boston

28/02/1986

Providence

01/03/1986

Irving Plaza

Fairly clear audience recording however bass tends to be a bit boomy in places but vocals very clear. Some audience chatter which detracts in place. In a quiet bit the taper clearly shh's a nearby maiden. Mix deteriorates towards the end where one of the guitars dominates.

The third date of the nine gig tour of the States and Canada.

A very good gig enlivened by the club sound of the recording. It opens with a peculiar "musique concrete" piece with lots of banging and noise and such leaping into a speedy run through the excellent "Countdown" which is both punky and poppy. A good reading of "Hot Aftershave" follows which leads to an good "Rowche" somewhat spoiled by the girly Minnie Mouse backing vox and some fairly straight guitar playing from Brix which means it loses its quirky edge.

"I am Damo Susuki" follows in splended magnificence initially adopting a strange back beat rather than the usual bubbling polyrhymthmic stuff. A very proggy "God-Box" has some interesting vocalisations which calls to mind a tune from the mid 70s which I cannot quite place. "Faustus" is played well and a spoken word tape introduces a silky sexy excellent reading of "LA".

There is an interesting and excellently realised early version of "Hey! Luciani" where the bass takes the lead melody intro the keys are simply a wash of backing sound. Also there are some middle eight bits which seem to have got lost later in the history of the song. "Victorian Child" feels a little rushed but there is some exquisite bass and drum interplay in the "quiet" bit in the middle and as the song resolves Mark seems to lose the scan in the echo.

Someone is very slightly out of tune for "Cruisers" and it rather spoils a good drumming performance from Karl unfortunately this tuning problem persists for the rest of the gig. "Living too late" starts well enough with rising synth sounds but then tends to meander. "Lie Dream" concludes matters and is dominated by one of the guitars which is overloud in the mix.

Mostly a great gig which tails of towards the end

New York

Mark E Smith - Vocals
Brix Smith - Guitar, Vocals
Craig Scanlon - Guitar
Simon Rogers - Keyboards, Guitar
Steve Hanley - Bass
Karl Burns - Drums

Intro Tape (1:02)
Countdown (1:50)
Hot Aftershave Bop (4:20)
Rowche Rumble (5:52)
God-Box (3:09)
Dktr Faustus (5:55)
Poem Tape > LA (5:41)
Hey! Luciani (3:58)
Spoilt Victorian Child (4:38)
Bombast (3:30)
Cruisers Creek (7:08)
Couldn't get ahead (2:53)
Living too late (8:17)
Lie Dream of a Casino Soul (4:54)

05/03/1986

9:30 Club

A bit of an oddity this one. It is a very clear recording. However the bass dominates, the percussion is just about audible, the guitars are melange of scratching, Simons keyboards are audible however Mark is sort of oddly distant - albeit audible most of the time.

There is some audience chatter between the songs which is quite entertaining. The gig seems very short so I am assuming this is only partial. The sound picks up as it progresses and its quite a reasonable capture however peculiar in parts.

It starts of with some strange tape interplay and advice on the use of contraceptives from one assumes the taper or a friend. Given the opener was "Countdown" for most of this tour I am assuming that material either side of what I have is missing.

This is the band at one of its most progressive periods - hovering between the garage pop of TWAFWOTF and the art rock of IAKO and the play. The interplay of the three guitars or two guitars and one keyboard is quite mesmerising at times. There is nothing out of the ordinary here other than the peculiar use of keyboards on "Mr Pharmacist".

I was particularly struck by the tension-release in "R.O.D." which appears far more effective in a live setting than in a studio recording. Other than that doing a more fulsome review without the rest of the gig would appear fruitless at this stage.

Washington DC

Mark E Smith - Vocals
Brix Smith - Guitar, Vocals
Craig Scanlon - Guitar
Steve Hanley - Bass
Simon Rogers - Guitar, Keyboards
Karl Burns - Drums

My New House (6:23)
City Hobgoblins (2:28)
US80s-90s (3:51)
Bombast (3:32)
Mr Pharmacist (2:23)
Living too late (4:59)
R.O.D. (4:23)
Gut of the Quantifier (5:49)
Hey Luciani (3:13)
Bournemouth Runner (6:19)

Total Gig = 43:42

08/03/1986

Century Hall

Good quality audience tape - a little tinny in places. Some minor audience noise and some minor jumps/clicks on "Rowche Rumble".

Part of a short tour of the States and Canada. Notable for the unreleased "Countdown" which was the opening instrumental for the gigs on this tour. This is medium tempo rockabilly number with dynamic breaks featuring staccato ascending and descending chords.

The band is in fine form stretching out familiar numbers from "TWAFWOTF" and "Nations" with extended workouts. The sound is enlivened with Rogers keyboard and guitar fills adding tone and texture to familiar tunes. The only newish number being an early keyboard riff based take on "Luciani". The riffing on "My New House" is exemplary. "Damo" sticks out for me as an exercise in brooding sensuality however this does not diminish the power of fearsome readings of "Lay of the Land" , "Disneys", "Cruisers", a memorable "LA" with hypnotic weaving guitars, and a closing "Rowche Rumble" with intense riffery redolent of Van Der Graaf Generator at their most prog.

Essential for the rare "Countdown" and to hear this line up of the band in fine form....also Brix's sexy little "Rowche Rum-ble" interjections.

Milwaukee

Mark E. Smith - Vocals

Brix E. Smith - Guitar, Vocals

Craig Scanlon - Guitar

Steve Hanley - Bass

Simon Rogers - Keyboards, Guitar

Karl Burns - Drums

Intro Tape>Countdown (3:15)

Hot Aftershave Bop (4:36)

I Am Damo Suzuki (10:02)

God Box (3:12)

Lay of the Land (7:23)

Disney's Dream Debased (6:02)

Bombast (4:09)

Hey! Luciani (4:28)

My New House (6:54)

Cruiser's Creek (7:40)

L.A. (5:44)

Rowche Rumble(6:08)

Total Gig Length = 69:40
 

10/03/2006

Minneapolis

14/03/1986

Stone, San Francisco

21/03/1986

Lone Star Café, New York (early show)

In the repository - not yet reviewed

21/03/1986

Lone Star Café, New York (late show)

In the repository - not yet reviewed

22/03/1986

Toronto

In the repository - not yet reviewed

05/06/1986

Lea's Cliff Hall

Either a soundboard or a damn good audience tape. Excellent.

First gig by this iteration of the band and Si's first gig.

Starts with a constipated "Hobgoblins" and meanders into a pretty turgid "Living too late". Things pick up with "Cruisers Creek" despite some pretty basic guitar mistakes at the beginning. "Lucifer" is excellent, the syncopation of Wolstencrofts drumming adds a slight insouciant swagger to the music. "Riddler" features some nice "Third Man" keyboard noises and guitar rattling redolent of Michael Karoli.

"LA" is taken at a fast pace with some great driven keyboard sounds...."Luciani" comes and goes (as it usually does) ..."Bombast" starts with Smith in a mire of echo and launches into a manic rush of garage back-beat.

The gig is dominated by an immense reading of "Gross Chapel- British Grenadiers". I cannot understate the magnificence of this peformance where Mark literally spits the words out.

Encores include a seriously hard "Prole Art Threat" , a Hanley driven "Hot Aftershave" and a quirky and jittery "My New House".

All in all a delightful confection and worth getting for Si Wolstencrofts first gig with the band.

Folkestone

Mark E. Smith - Vocals
Brix E. Smith - Guitar, Vocals
Craig Scanlon - Guitar
Steve Hanley - Bass
Simon Rogers - Keyboards
Simon Wolstencroft - Drums

City Hobgoblins (2:15)
Living too Late (4:44)
Cruiser's Creek (6:56)
Lucifer over Lancashire (5:29)
Riddler! (5:53)
L.A. (5;03)
Hey! Luciani (3:28)
Bombast (3:51)
Gross Chapel-GB Grenadiers (7:14)
Prole Art Threat (3:19)
Hot Aftershave Bop (3:53)
My New House (6:27)
 

12/06/1986

Newcastle

13/06/1986

Glasgow

??/07/1986

Midtfyns Festival, Ringe

There is no known recording of this event

11/07/1986

The Centre, Slough

In the repository - not yet reviewed

12/07/1986

Town & Country, London

18/07/1986

Hanger T2, Duxford

19/07/1986

G-Mex, Manchester

In the repository - not yet reviewed

27/07/1986

Finsbury Park

03/08/1986

Sneek Festival Vienna

16/08/1986

Wateringen

06/09/1986

Queensway Hall

Echoey cavernous hall job here with some distance between the taper and the gruppe. Most things are audible but Marks vocal is a bit lost in the hall ambience. Some limited near tape mutterings.


All tunes played with considerable energy and things get off to a good start with a Hanley-centric "Living Too Late" - when the mixing desk decide to turn Mark up he is lost in the reverb. However it sort of gets a lot worse after that with either the band not connecting or the recording completely giving the impression of same.

Notable problem with the "fills" from Simon on "US80s90s" and the structure tends to wander. "Riddler" holds its own and is perhaps the best realised piece on the night.

Slight break down at the beginning of "Gut" perhaps best exemplifies that the band has not quite got it together.

Desultory "Hot Aftershave Bop" with rock guitar noise and oddly prominent dull bass sound.

Oddly untogether "Grosse Chapel" with I suspect a slight tuning problem on one of the guitars. "LA" suffers from audience chatter and peculiar lumpen feel with slighly flat guitar lost in a sprawl of chorus type patch. "Copped It" an unholy wall of sound lost in murk. "Cruisers" similarly is a blur of noise with some serious atonality and timing problems in places.

"Prole Art Threat" is lost in a morasse of noise but appears to be most Fall like thing of the night but despite has some very odd dynamics indeed. Matters conclude with a good performance of "My New House" which has some reasonable structure to it.

Not the most pleasurable of listens and the band appears to be going through the motions somewhat, however a few highlights. There are probably better recordings of this tour.

Dunstable

Mark E Smith - Vocals
Brix Smith - Guitar, Vocals
Craig Scanlon - Guitar
Simon Rogers - Keyboards
Steve Hanley - Bass
Simon Wolstencroft - Drums



Living too late (6:43)
City Hobgoblins (3:20)
US 80s-90s (4:49)
Terry Waite Sez (1:46)
Riddler (6:51)
Mr Pharmacist (2:32)
R.O.D. (4:29)
Gut of the Quantifier (5:26)
Hot Aftershave Bop (3:52)
Gross Chapel-GB Grenadiers (8:02)
LA (5:17)
Copped It (4:52)
Cruiser's Creek (5:14)
Prole Art Threat (3:59)
My New House (6:21)
 

07/09/1986

Albany Empire, Deptford

In the repository - not yet reviewed

08/09/1986

Albany Empire, Deptford

In the repository - not yet reviewed

11/09/1986

Underground, Croydon

13/09/1986

Roadmender Northampton

??/10/1986

Ispwich

08/10/1986

Graz

09/10/1986

Dornbirn

10/10/1986

Posthof, Linz

11/10/1986

Vienna

??/10/1986

Unknown Venue California

19/10/1986

Roxy, Hollywood (early show)

In the repository - not yet reviewed

19/10/1986

Roxy, Hollywood (late show)

In the repository - not yet reviewed

20/10/1986

I-Beam, San Francisco

In the repository - not yet reviewed

21/10/1986

I-Beam, San Francisco

In the repository - not yet reviewed

23/10/1986

Boston

25/10/1986

New York

26/10/1986

Philadelphia

29/10/1986

Santa Clara

In the repository - not yet reviewed

31/10/1986

SDSU Amphitheatre San Diego

In the repository - not yet reviewed

01/11/1986

Irvine Meadows, Laguana Hills

In the repository - not yet reviewed

06/11/1986

Bristol

07/11/1986

Walthamstow Town Hall

A sort of of echoey big hall feel to this, muddy in parts, but generally listenable. A pity really as this is a special one. Unfortunately a goodly part of "Gut" is missing on my copy.


What a wonderfully unholy racket this is. The Bend Sinister tour hits London at a pace with a sort of manic cocky assurance and I would guess with a surfeit of keyboards and guitars given the wallness of the sound herein. Every song is played with a violent disregard for the eardrums of the listener and with such ferocity one wonders if anyone survived the night. Layer upon layer of associated and dissociated noise pile on to create a dense unremitting performance.


Excellent playing throughout layered with a howling and yelling wall of noise from Mark and Brix. Hanley is prominent throughout and indeed is masterful. No one track stands out.

Recommended other than the recording which is just about OK.

London

Mark E Smith - Vocals
Brix Smith - Guitar, Vocals
Craig Scanlon - Guitar
Steve Hanley - Bass
Marcia Schofield - Keyboards, Vocals
Simon Rogers - Keyboards, Guitar (can anyone validate this?)
Simon Wolstencroft - Drums



Dktr Faustus (6:24)
City Hobgoblins (2:48)
Hot Aftershave Bop (3:34)
US80s90s (4:35)
Riddler (6:52)
Mr Pharmacist (2:22)
LA (4:49)
Shoulder Pads (4:10)
Gut of the Quantifier (unfortunately I only have 1:37 of this)
Gross Chapel>GB Grenadiers (10:06)
Hey! Luciani (4:05)
Bombast (4:13)
Terry Waite Sez (1:33)
Prole Art Threat (3:33)

08/11/1986

Coronet

Goodish audience recording once the soundperson has got their act together. All instruments well presented and vox very clear on most tracks - Mark tends to get lost in the sound scape where he is narrating rather than singing.

Kicking off (after the madness of the People of Slough tape) with a fired up and sparky "Cruisers Creek", during which there are some feedback problems, it would be have a band in fine fettle and ready to kick bottom. A quick gallop, with again attendant microphone feedbackery, through a brash "Terry Waite" into a percussive "Guest Informant" of the highest quality into a slinky and noisy ramble through "US80s90s" leaves this reviewer breathless. The riffing on the latter is particularly memorable.

The pace does not slacken with fine versions of "Pharmacist", "Riddler", "LA" and "Lucifer" (which Simon mistakenly starts a song earlier). The band appears to be attacking the material with a particular vigour tonight. Extended percussion intro for "Gut" allows Mark to indulge in some verbal dexterity before launching into an intensely speedy version underlain with a baleful organ patch.

A lenghty "Gross Chapel etc" is a maelstrom of repressed eroticism and tangled guitar noise - a memorable listen as instruments fight each other for space in the tightening circle of the sound scape and Mark howls exponentially over the riff. The ability of the band to take a simple riff and turn into a musical masterpiece is never more better realised than here.

Encores are numerous and plentiful - "Prole Art Threat" at a hideously fast pace is a highlight as is a stunning "R.O.D.".

So you get most of "Bend Sinister" played live with considerable power and dexterity. Highly recommended.

Woolwich

Mark E Smith - Vocals
Brix Smith - Guitar, Vocals
Craig Scanlon - Guitar
Steve Hanley - Bass
Marcia Schofield - Keyboards
Simon Wolstencraft - Drums

People of Slough>Cruiser's Creek (7:17)
Terry Waite Sez (1:43)
Guest Informant (3:38)
US80s90s (4:26)
Mr Pharmacist (2:18)
Riddler! (6:57)
LA (4:56)
Lucifer over Lancs (4:44)
Shoulder Pads (5:07)
Gut of the Quantifier (5:09)
Gross Chapel - British Grenadiers (9:12)
Encore Call (0:14)
Hot Aftershave Bop (3:38)
Prole Art Threat (3:00)
R.O.D. (4:46)
Hey! Luciani (3:41)
Another Encore Call>Living too late(5:27)
Bombast (3:46)

09/11/1986

Powerhouse Birmingham

12/11/1986

University, Southampton

In the repository - not yet reviewed

13/11/1986

Leeds

15/11/1986

University

Very good audience tape - some nominal audience chatter. Last track breaks up a little towards the end on my version

Starts well with Mark and Brix howling and yelping at each other across the Faustus riff. Long percussion intro to "Hobgoblins" is worth the wait as the band powers through at a fair old lick.

The 10th date of a twenty date Bend Sinister tour - contemporary posters say the gig should have been in Hanley however by all accounts the gig was in Hull. No sure if Rogers is playing or not - inside sleeve to Hit the North implies Simon was around when Marcia joined the band. Its not absolutely clear from the gig whether he is there or not but the thickness of the sound would imply additionality.

"Bop" is loud and shouty with some adept guitaring from Brix. "US80s90s" is similarly noisy with a certain tautness and some very odd twittering noises from the synths. Guitars are nice and visceral with some good riff definition. "Riddler" is a mammoth 7 minutes plus - takes a while to get going and perhaps is a little brooding in its intensity.

We get the perky pop version of "Pharmasussed" which is a touch fast and a little too "preppy" in sound....and a little jerky in parts. "Jack" , in my opinion, never worked with this iteration of the band, the keyboards do not work and the jaunty fallabilly version of the original is lost in a manic motorik beat. The guitar break sounds like something from "Trumpton" or "Jackanory" (or indeed Fiery Jackanory).

"Shoulder Pads" conjurs up the mid 60s garage sound and is a tad overlong at 6 minutes. "Bombast" is tremendously good and abandons the pop pretensions of previous numbers for a comprehensive guitar thrash session.

The centre piece of the gig is an epic ten minute version of "Gross Chapel-BG" which is sensuous, moody and compelling. The fact that the band loses the structure in parts adds to the charm of the piece which builds from a tumbling melange of possibilities into a kaliedoscope of wonder. The segue from GC to BG is intense and somewhat menacing as Smith pre-cogs some thing or with atonal poetry. A seriously fine piece of live Fall.

"Luciani" gets a bit of a false start but pulls together well after the riffs tumble in, this is followed by a driven take of "Living too Late" , Terry Waite gets a short and well deliveredouting, and then we take a trip to "LA" where scratching guitars drive a manic journey through subtle colours of sensuality.

It ends with a super-charged "Prole" which appears to have several layers of keyboards thrown in for good measure and misses the two drum line-up from 1982 but saying that is acceptable albeit a little off kilter.

A good gig.

Hull

Mark E. Smith - Vocals
Brix E. Smith - Guitar, vocals
Craig Scanlon - Guitar
Steve Hanley - Bass
Marcia Schofield - Keyboards, backing vocals
Simon Wolstencroft - Drums
Simon Rogers - Keyboards, Guitar (?)


People of Slough (1:47)
Dktr. Faustus (6:00)
City Hobgoblins (2:38)
Hot Aftershave Bop (3:31)
U.S. 80's-90's (4:15)
Riddler (7:26)
Mr. Pharmacist (2:32)
Fiery Jack (4:56)
Shoulder Pads (6:00)
Bombast (3:45)
Gross Chapel-GB Grenadiers (10:07)
Hey! Luciani (3:51)
Living too Late (5:30)
Terry Waite Sez (1:38)
L.A. (4:28)
Prole Art Threat (3:02)

16/11/1986

Maxwell Hall, University

Knowing the Maxwell as I do I am not suprised to find this is a very echoey audience tape. The hall is best known for Nigel Ogden entertaining us with his organ or for the student body sitting its exams. I missed this gig due to a very adjacent wedding. The sound is mostly a muddy wall of noise - mostly audible but not much fun to listen to. Pretty dire in fact.

So where were the gruppe at at this stage? Plays and chart success were beckoning in the following months and there is a sense that the central ethic of the band was being lost to a wider, more pluralistic schema. That I have reviewed this just after I listened to a monumental gig from 1982 probably is altering my stance but it all feels a little bit overblown and stadium rockish to me. Despite the excellence of "Bend Sinister" as an album the band does not seem to be able to recreate it here in this situation. It may be the recording but this does not work for me.

There are limited highlights - an intense and mesmerising "Riddler" is great in most part but tends to get to frisky when Wolstencrofts drums kick in. "LA" is fine but perhaps a little too fast. I think what is getting me is Simon is playing with the beat instead of against it which tends to make the band sound too rock in places.

The usually excellent "Lucifer" is a mud of noise and whilst there are elements of fallabilly about it does not translate. "Gut" is weird - the drums in the opening section are completely wrong and the main part of the song is just far too fast.

When it slows and Hanley is allowed to dictate the pace it works - but I have to say Pauls sound is getting a bit Geezer Butlerish on "Bournemouth Runner" which sounds amazingly like something from the first Black Sabbath album in the opening section but resolves into proper fallness in the verses. Not sure I am all that fond of the cheezy Hammond patch that Rogers and/or Schofield are/is playing either.

The rest is pretty forgettable due to the recording.

Avoid.

Salford

Mark E. Smith - Vocals
Brix E. Smith - Guitar, vocals
Craig Scanlon - Guitar
Steve Hanley - Bass
Marcia Schofield - Keyboards, backing vocals
Simon Wolstencroft - Drums
Simon Rogers - Keyboards (?)

Intro Tape (O:34)
Hot Aftershave Bop (4:13)
Terry Waite Sez (1:40)
Guest Informant (3:59)
US 80s-90s (4:24)
Mr Pharmacist (2:17)
Riddler (7:45)
L.A. (3:47)
Lucifer over Lancashire (4:55)
Shoulder Pads (5:05)
Gut of the Quantifier (5:50)
Bournemouth Runner (8:21)
Hey! Luciani (4:08)
City Hobgoblins (2:38)
R.O.D. (4:41)
Fiery Jack (3:00)

Total Gig - One Hour Seven Minutes Twenty Five Seconds

19/11/1986

Huddersfield

20/11/1986

Blackburn

21/11/1986

Burton on Trent

22/11/1986

Milton Keynes

24/11/1986

Brighton

25/11/1986

Coventry

26/11/1986

Sheffield

05/12/1986

Hammersmith - Hey Luciani!

London

06/12/1986

Hammersmith - Hey Luciani!

London

09/12/1986

Hammersmith - Hey Luciani!

London

10/12/1986

Hammersmith - Hey Luciani!

London

12/12/1986

Hammersmith - Hey Luciani!

London

13/12/1986

Hammersmith - Hey Luciani!

London

16/12/1986

Hammersmith - Hey Luciani!

In the repository - not yet reviewed

London

17/12/1986

Hammersmith - Hey Luciani!

London

18/12/1986

Hammersmith - Hey Luciani!

London

19/12/1986

Hammersmith - Hey Luciani!

London

22/12/1986

Manchester